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Compositions

2022


"CO-V" (2-ch version; acousmatic work based on sonification)



2020

"Shadow" (4-ch version; acousmatic work), published at compilation "Sound and Video Anthology", in: Computer Music Journal 44 (4), 2020; curator: Martin Supper.


2019

"Shadow" (2-ch; acousmatic work), published at compilation CD SEGMOD, Dumpf Edition, Zürich, curators: Martin Lorenz and Luc Döbereiner.


2015

"Füllhorn2" (2-ch; acousmatic work)


2013

„Füllhorn" (4-ch; acousmatic work, 5'30")
„City Lights" (2-ch; acousmatic work, 11'40")


2012

„Phosphen“ (performance environment for live electronics and motion control/dance)


2011


„Filta-tron“ (graphic score for 5 ipads)


2010
          

„Intermezzo“, (
2-ch; acousmatic work, 0'10")


2009           

„Transformation 2“, (2-ch; acousmatic work, 2'00")

„Mount Zion xx“ (2-ch; acousmatic work, 3'00")


2008            

„Seth“
(2-ch; acousmatic work, 9'59") life diffusion.
„4recorder“ (concept-improvisation for 4 recorder and live-elektronics)
3 Miniatures for 3 photographs 
(2-ch; acousmatic works): Korea (3'24"), Laos (2'56"), Thailand (2'54").


2007          

„5,5 Min Stille“
(2-ch; acousmatic work, 5'30")
„funftion“ (graphical notation) collaboration with Leonardo Zacchone (concept-improvisation)
„BaMiMaTo“ for harp, flute, piano and percussion, 2.movement of a 4-movement composition
              (other movements of Barbara Schindler, Thomas Winkler and Marco Giuliani)

„fuoco“ 
(graphical notationconcept-improvisation)


2006 

„Dust Road“ 
(2-ch; acousmatic work, 6'05)
„selbst“ (flute solo with live elektronics, approx. 4'27")

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© akkermann 2022