back


Books

2017  „Zwischen Improvisation und Algorithmus. David Wessel, Karlheinz Essl und
         Georg Hajdu“, Reihe Forum Musikwissenschaft, Edition Argus, Schliengen 2017

Book Sections

2017 „Composing an instrument – improvising a composition. David Wessel's
         Contacts Turbulents“, in: Alain Bonardi et.al. (Ed.), Analyser la musique mixte,
         Delatour Paris 2017,
pp. 121-134
2015  „Instrument oder Komposition? David Wessels Contacts Turbulents”, in: Christian 
          Storch et. al. (Ed.), Reflexion – Improvisation – Multimedialität.  
          Kompositionsstrategien in der Musik des 20. und 21. Jahrhunderts, Göttingen 2015,
          pp. 95-108
2010  „Die Kunst sich zu beschränken“, in: Dagmar Jäger, Vera Franke et.al. (Ed.), 
           Künstlerische Transformationen, Reimers Verlag, Berlin 2010, pp. 162-169
2009 
"Zeitrahmen", in: Traveling Sounds. Dokumentation zum 6. Berliner Salon
         des Leo Baeck Institutes, 
Dörte Schmidt et.al. (Ed.), Universität der Künste Berlin,
         Berlin 2009, pp. 9
2-97

Papers

2017   „Instrument+“, in: Neue Zeitschrift für Musik, 2/2017, pp. 31-33
2016  
„(Re-)Performing Early Mixed Music from the 1980s at IRCAM: Pierre Boulez's   
         Dialogue de l'ombre double“, in: Circuit. Musiques Contemporaines, 26/2, Montreal   
         2016, pp. 51-61

2016  „Performing Computer Network Music“, in: Proceedings of the International Computer
          Music Conference ICMC 2016, Utrecht 2016
2015  „Historic performance practice in computer music – necessity or outrage?“, in: Emille 
          Journal, No. 12, Seoul 2015
2014  "Historic performance practice in computer music – necessity or outrage?", in:        
         KEAMS (Hrsg.), Proceedings of the KEAMS annual Conference, Seoul 2014, p. 93-96
2014  "COMPUTER NETWORK MUSIC – Approximation to a far-scattered history", in:
        EMS Proceedings, Artikel Html

2013 "Contacts Turbulents by David Wessel. An analytic approach from a musicological
        point of view", in: ICMA (Ed.), Proceedings of the International Computer Music
        Conference ICMC 2013, Perth 2013
2013 "The computer as extension of the composer: Karlheinz Essl 'more or less'", in: Emille
        Journal, Seoul 2013, opt. January 2013


Poster

2014  4. Dezember "Motioncomposer. An analytical approach", CIM Conference, Berlin
2013  Juli "3-D-model visualization of a mixed music analysis approach", MusDig     
         
Conference, Oxford (GB)


Presentations

2016  Oct 1 „Let's play a game. Musikalische Regeln für Improvisation", Jahrestagung der
          Gesellschaft für Medienwissenschaft
, Berlin
2016  Sept 23 „Meok Bang. Zu Tisch mit Youtube", Conference Imaginary Food, FU Berlin
2016  Sept 19 „Wo stehen wir?", Wissenschaftskonferenz, Friedrich Ebert Stiftung, Berlin
2016  Sept 15 „Performing Computer Network Music“, International Computer Music
         Conference ICMC, Utrecht (NL)

2016  June 14 „Personalized Sound: Composer-Perfomer’s Live Electronic Set-U“, Conference 
          Wo/Man Mind Machine, The Israel Young Academy and The German Young Academy,
         Berlin

2014  October 9 "Historic performance practice in computer music – necessity or outrage?",
         KEAMS annual Conference, Seoul 2014 (KOR)
2014  July 13 "COMPUTER NETWORK MUSIC – Approximation to a far-scattered history",
         Electro-Acoustic Music Society's Annual Conference, Berlin (GER)

2013 November 1, Korean Electro-Acoustic Music Society Annual Conference, Seoul: "The
         Computer as a part of the network ensemble"
2013 September 18, Jahrestagung
der Gesellschaft für Musikforschung, Dresden: "Historische          Aufführungspraxis für Netzwerkkompositionen? Ivresse '84 von Georg Hajdu",
2013 August 12, International Computer Music Conference ICMC, Perth (AU):
        "Contacts Turbulents by David Wessel. An analytic approach from a musicological
        point of view"
2013 July 7, Music, Digitization, Mediation: Towards Interdisciplinary Music Studies",
         Oxford (UK): Poster: "3-D model visualization of a mixed music analysis approach
2012 October 26, Korean Electro-Acoustic Music Society's 2012 Annual Conference, Seoul:                Karlheinz Essl 'more or less', find program informations here
2012 September 5, 15th International Conference, Gesellschaft für Musikforschung:
         Instrument oder Komposition? David Wessels 'Contacts
Turbulents',
         Göttingen, find program informations here

2012 Jun 29, Young Scholars Workshop der Music Business Research Days:
        
'Between Algorithm and Improvisation' Wien (AUT), weitere Infos zur Konferenz hier,
        Programm des
Young Scholars Workshop download
2012 April 5-6, Konferenz Analysing Mixed Music: 'Composing an Instrument - Improvising
        a Composition
', IRCAM, Paris (FRA)
2010 September 26, Coventry University International Symposium on Experimental
        Music: 'Between Algorithmic Composition and Improvisation - "more or less" of K. Essl'
        Coventry (GB)



Reviews

2011 ICMC2011, Review Concert 10, 4th August 2011, continue reading


Releases

2015 CD "The Tartini", Janek/Akkermann with Klaus Janek (processed double bass)
         Creative Source
2007 CD “Classic Feelings”,
Ensemble flute – harp with Barbara Freisl-Daser (Harfe)
        avaliable at Buchhandlung Gattner, Murnau (D)
1998 CD "Romantische Lieder" based on poems of Hermann Hesse, music: Adolph Böhm,
        for bariton and chamber ensemble, Bavaria-Studio, 
Munich (D)
1996 CD "Liebeshymnen an Diana"
based on poems of Giordano Bruno, translation: Eugen
        Drewermann, music: Adolph Böhm,
for bariton and chamber ensemble, Bavaria-Studio
        Munich (D)
1992-2002 CDs with
Jugend- und Blasorchesters Murnau;
        soloist at:
        “Piccolobello” for Solopiccolo and wind orchestra,
        “Flying flutes”, Solo for 4 flutes and wind orchestra


Teaching

since WiSe 2015/2016 Akademische Rätin a.Z., Bayreuth University
WiSe 2016/2017 teaching assignment, Berlin University of the Arts
WiSe 2014/2015 teaching assignment, Berlin University of the Arts
2014 July, Workshop at Graduiertenkolleg, Berlin University of the Arts
WiSe 2013/2014 teaching assignment, Berlin University of the Arts
WiSe 2012/2013 teaching assignment, Berlin University of the Arts
since 2010 teaching assignment for music, Berufsfachschule für Altenpflege, Berlin

Completed research projects:
PhD Project "Compositions between improvisation and algorithm. Musician and computer as external decision maker at works of Karlheinz Essl, David Wessel und Georg Hajdu"

© akkermann 2017

  Soundart
  Ensemble frei:flug
  Ensemble fluteharp
  Concerts
  Compositions
  Sound Design
  Papers/Releases   
  More Projects
  Grants/Prizes
  Links