Compositions
2024
"destroy" (2-ch version; acousmatic work based on field recordings)
2022
"CO-V" (2-ch version; acousmatic work based on sonification)
"Shadow" (4-ch version; acousmatic work), published at compilation "Sound and Video Anthology", in: Computer Music Journal 44 (4), 2020; curator: Martin Supper.
2019
"Shadow" (2-ch; acousmatic work), published at compilation CD SEGMOD, Dumpf Edition, Zürich, curators: Martin Lorenz and Luc Döbereiner.
2015
"Füllhorn2" (2-ch; acousmatic work)
2013
„Füllhorn" (4-ch; acousmatic work, 5'30")
„City Lights" (2-ch; acousmatic work, 11'40")
2012
„Phosphen“ (performance environment for live electronics and motion control/dance)
2011
„Filta-tron“ (graphic score for 5 ipads)
2010
„Intermezzo“, (2-ch; acousmatic work, 0'10")
2009
„Transformation 2“, (2-ch; acousmatic work, 2'00")
„Mount Zion xx“ (2-ch; acousmatic work, 3'00")
2008
„Seth“ (2-ch; acousmatic work, 9'59") life diffusion.
„4recorder“ (concept-improvisation for 4 recorder and live-elektronics)
3 Miniatures for 3 photographs (2-ch; acousmatic works): Korea (3'24"), Laos (2'56"), Thailand (2'54").
2007
„5,5 Min Stille“ (2-ch; acousmatic work, 5'30")
„funftion“ (graphical notation) collaboration with Leonardo Zacchone (concept-improvisation)
„BaMiMaTo“ for harp, flute, piano and percussion, 2.movement of a 4-movement composition
(other movements of Barbara Schindler, Thomas Winkler and Marco Giuliani)
„fuoco“ (graphical notation, concept-improvisation)
2006
„Dust Road“ (2-ch; acousmatic work, 6'05)
„selbst“ (flute solo with live elektronics, approx. 4'27")
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